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ANT 474 Artifacts of Colonial America



Outline and Schedule, Fall 2004

Meeting Time and Place
     Tuesdays 12:30-1:45 and Thursdays 12:30-2:50, Archaeology Teaching Laboratory, South Stevens 232A.

Instructor

Dr. Alaric Faulkner
South Stevens 228a
Tel. 581-1900
E-mail: ric at umit dot maine dot edu

Office hours: Monday 10:00-11:45 and by appointment. You may also find me in the Historical Archaeology Laboratory, room 246, at the end of the hall.

Description

      This is a laboratory course covering the identification and interpretation of artifacts dating from the historic period—i.e. after Europeans came to North America. You will study a variety of handcrafted and mass-produced items commonly found in colonial sites, usually artifacts made from relatively durable materials such as metals, glass, and ceramics. Rarely are these items museum quality heirlooms. After all, they are generally common, everyday items which have been worn out or otherwise destroyed, reduced to fragments, and then discarded. Emphasis will be placed equally on the recognition of historic artifacts, their role in western cultural traditions, and on the means by which they were produced, distributed, worn out, and discarded. Some attention will also be given to their proper cleaning and stabilization. The principal objective, however, is to teach the fundamentals required to interpret historic artifact assemblages. Because of the source of many of the examples used in class and readings, the course should prove to be of special value to students of the material culture of New England, New France, and Acadia.

Format

      Class will meet from 12:30 to 1:45 on Tuesdays, and from 12:30 to 2:50 on Thursdays. The purpose of the Thursday afternoon session is to leave time for laboratory study, demonstrations, hands-on identification exams and your term project. If you have not already done so, you should be sure to sign up for the one-hour afternoon “lab” session on Thursday, ANT 474L. Test dates
Prelim 1           Thursday, February 20
Prelim 2           Thursday, November 11
Prelim 3           Tuesday Dec 14, 10:30-12:30 AM, regular room
Term projects will be accepted no later than Monday, Dec 13 (exam week).

Required Readings

Faulkner, Alaric and Gretchen Faulkner 1987 The French at Pentagoet 1635-1674: An Archaeological Portrait of the Acadian Frontier, Maine Historic Preservation Commission. Noel Hume, Ivor 1970 A Guide to Artifacts of Colonial America, U. Penn. Press, paperback edition (reprinted 2001)

     The French at Pentagoet provides a case study dealing with some common artifact categories found on an important 17th century French site excavated here in Maine. In that sense it gives an important Franco perspective on material culture, so that we will not be studying the wreckage of English colonization in isolation! Virtually all of the items discussed and illustrated in the text are in our study collections and are available for you to examine first hand; many will be passed around in class. You may wish to bring this book to class regularly to refer to illustrations; it may help you make sense of the profusion of digital slides you will see in lecture. If you are planning to take Historical Archaeology of North America ANT 473 in the fall, you should keep this book.

      Noel Hume’s Guide to Artifacts of Colonial America is a unique general reference which is cited in virtually every major report on historic sites which has been written in the last three decades. It is now back in print, so we have reverted to it as our major reference! The artifact classes are arranged alphabetically, as in a dictionary or encyclopedia. You may want to bring this text with you to class regularly so that you can refer to appropriate illustrations. As you are required to produce a paper for this course, you may have occasion to use Noel Hume as a guide to further reading on your own particular research topic, as there is a bibliography following each subject.

      Supplementing the readings are numerous illustrative handouts to be distributed at the appropriate times during the lecture and lab sequence.

Course Requirements and Grading

      This is a visually oriented course, developed for on-screen lecture presentation using numerous illustrations and animations. It is also a hands-on laboratory course, requiring both good powers of observation and note-taking skills. You cannot possibly benefit from these features unless you see them. Since exam questions will be derived from these lectures as well as readings, regular attendance is essential if you are to negotiate this course successfully. Your grade is based on three prelims (20% each) and a research paper (40%). A you will note from the research paper discussion below, this is a writing intensive project which will be graded equally for form and content. The prelims will be full-period tests, and will include an artifact identification quiz. In order to do well on the identifications, you will want to take good notes and examine our study collections carefully, particularly items passed around in class. Please stay healthy, because it is all but impossible to do a makeup on the quiz!

Writing Intensive Term Project

      This is a writing intensive course that has as its focus the production of a high quality research paper suitable for publication. Therefore writing form (exposition) will count for 50% of your grade for the paper, while the remaining 50% will be based on the quality of your research. The grading of the term project is cumulative, and by rewriting your work at any stages you may replace an initial grade with that of an “improved” effort. Above and beyond the sequence below, you may be required to resubmit your work at any stage to make your submission acceptable. Your goal is to learn how to write in a clear, straightforward scholarly style, presenting your study in a manner that is structurally correct, and easy to read without being overly simplistic.

      Your term paper must go through four stages, all of which involve rewriting and correction.

a. Topic choice

In the first two weeks of class, you will arrange to meet with me to select a topic of interest to you.

b. Abstract and bibliography preparation

With the first examination you will turn in a proper abstract and preliminary bibliography, all to be completed in the style of Historical Archaeology. This will be graded for form and content.

c. Initial complete draft.

With the second examination you will turn in a completed narrative draft including a rewritten abstract and a full bibliography, to be completed in the style of Historical Archaeology.

d. The final paper.

The final version of your paper, rewritten, is to be handed in at the time of the final examination, again to be completed in the style of Historical Archaeology.

Paper Guidelines

      Your term paper topic will revolve around an aspect of colonial material culture in which (I hope) you are interested. Some of you may attempt a topic dealing with one of our recent excavations in Maine, such as the 17th century English fishing station at Damariscove Island, the Richard Foxwell Trading House in Cushing (1633-1636) the French Fort at Pentagoet in Castine (1635-1674), the Habitation of Baron de Saint-Castin (c.1670-c. 1701, or Jonathan Lowder’s Trading Post at Fort Hill in Veazie (1776-c. 1778). There can be exceptions to all rules, but the general guidelines for an ideal paper are as follows:

1. The typewritten paper should stand by itself, as if it were an article or a short chapter in a book. Your paper should be viewed not just as an exercise, but as a work which others interested in historic archaeology would want to read and learn from.

2. Research should involve a library component, and all references must be properly cited and listed. The format of the major journal in the field, Historical Archaeology, is recommended, although any complete system of referencing (such as the use of footnotes or endnotes) will be accepted. Some sources you may need may only be available through inter-library loan and could take two weeks to obtain, so get going on this project as soon as possible. You may borrow books from my personal library (on shelves in the lab) if you consult with me first and sign them out on the sheet provided. Do a little bit at time, and be persistent, and you can produce a superior paper!

3. Research should also involve a laboratory component, dealing with artifacts—usually from the UM collections. We have collections from a number of sites that can be made available to you, but you will be responsible for seeing that they are properly cared for, and do not leave the laboratory. Please be sure to put things away exactly as you found them.

4. Papers will vary in length, depending on the nature of the research, but should be on the order of magnitude of 15 to 20 pages typewritten double-spaced,

5. Your paper should not be just a history of, say, comb manufacture in Colonial America, but should deal specifically with, say, the by-products of comb manufacture which might occur on an archaeological site, and what they might reveal about the society which produced them. In other words, the thrust should not be a review of antiques, but what archaeological remains can tell us about the lifeways of a former society.

Some suggestions:

     In past years we had the greatest success with students identifying and writing upon just one or two hitherto unidentified or partially identified items. This involves not just identifying the objects, but placing them in proper technological or formal contexts. In other words it involves considerable research into the class of objects to which the particular item belongs. In recent seasons, for example, we recovered numerous lead cloth seals, a shoe heel, a shingle, a pewter spoon, an abrader (?), and other unidentified items which we would like to know more about.

Internet

      For further program information, look us up on the web at: http://www2.umaine.edu/anthropology

Cheating Policy

      The college insists that course syllabi contain some mention of our cheating policy. While I believe this should be unnecessary, as you are all adults, suffice it to say that I have zero tolerance for cheating in any form. I will do my part to see that any student caught cheating is removed from the university. No form of crib notes will be allowed in examinations. Keep your eyes on your own paper during exams so as not to raise the slightest suspicion of cheating. How’s that for a friendly message!

Schedule of General Topics and Reading Assignments

      Organization of topics is by material for convenience. Emphasis is placed not just on the identification of artifacts, but also on their technological significance in daily life. Required readings are in boldface; those in parentheses are optional.

Topic Reading Assignment
Introduction  
Signposts to the Past Noel Hume pp. 3-48
(Overview of Pentagoet) (Faulkner, chs. 1-4:1-111)
  (Faulkner, ch. 10: 267-272)
Clay tobacco pipes & pipestem dating Noel Hume pp. 296-313
  Faulkner, ch. 4:62-65; 6:165-182
Ceramics, especially diagnostic ware types  
Clays, glazes, slips, decoration and production  
Ceramic forms: eating, serving, and storage  
Other ceramic forms  
  Drug pots and jars Noel Hume pp. 203-210
  Chamberpots Noel Hume pp. 145-150
  Decorative tiles Noel Hume pp. 285-294
  (Roofing tiles) (Noel Hume pp. 294-295)
  (Bricks) (Noel Hume pp. 80-84)
Mean Ceramic Dates  
Earthenwares, coarse and fine  
  British Noel Hume pp. 102-137
  French Faulkner, ch. 7:221-248
  Iberian and other European products Noel Hume pp. 138-145
  (American products) (Noel Hume pp. 98-101)
Stonewares Noel Hume pp. 276-285
  "Bellarmines" or bartmanns Noel Hume pp. 55-57
  Rhenish products Noel Hume pp. 276-285
Porcelains Noel Hume pp. 257-265
Prelim 1 Thursday, September 30  
Glass  
Window glass Faulkner, ch. 4:99-101
  Noel Hume pp. 233-235
Bottles Faulkner, Ch. 8:232-239
liquor Noel Hume pp. 60-71
pharmaceutical Noel Hume pp. 72-76
Tableware  
drinking glasses & decanters Noel Hume pp. 184-202
Glass beads Faulkner, ch. 9: 262-263
Flint  
Gunflints Faulkner, ch. 5:151-156
Prelim 2 Thursday, November 9 Nov 11
Metals Faulkner, ch. 5:135-164
Ironwork: wrought, cast & steel  
Forging techniques and recycling  
Fastenings, tools and hardware Faulkner, ch. 4:99-103
Nails Noel Hume pp. 252-253
Hinges Noel Hume pp. 235-236
(Spades and hoes) (Noel Hume pp. 274-275)
Horseshoes and horse furniture Noel Hume pp. 237-242
Cast products, esp. pots and  
iron shot Faulkner, ch. 4:107-111
Cooking vessels Noel Hume pp. 175-176
Lead and Pewter  
Cloth seals Noel Hume pp. 269-270
Leaden window cames - turned lead Faulkner, ch. 4:99-101
  Noel Hume pp. 233-235
Musketballs & shot review Faulkner, ch. 5:154-156
Brass  
Pots "kettles" and recycling review Faulkner, ch. 5:156-161
(Cutlery and spoons) (Noel Hume pp. 177-183)
(Pins, needles, and thimbles) (Noel Hume pp. 254-256)
(Bells) (Noel Hume pp. 58-59)
(Buckles) (Noel Hume pp. 84-88)
(Candlesticks and lighting accessories) (Noel Hume pp. 93-97)
(Coins, tokens and jetons) (Noel Hume pp. 154-173)
(Furniture hardware) (Noel Hume pp. 227-232)
(Locks and padlocks) (Noel Hume pp. 243-251)
(Rings, finger) (Noel Hume pp. 265-266)
(Scissors) (Noel Hume pp. 267-268)
Metals Conservation (class)
Arms  
Firearms review Faulkner, ch. 5:145-151
(Armor & Bayonets) (Noel Hume p 49-52)
Prelim 3 Finals, week, Tuesday December 14, 10:30AM-12:30 PM, regular room  

 




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