MUS 201 - MUS 450 (12)
Instructors: Dr. Stuart Marrs & Dr. Thomas Wubbenhorst
Office: 104 Class of 1944 Hall
Office Hours: By appointment
Tel. 581-4702 E-Mail: MARRS@MAINE.EDU or FirstClass, email@example.com
Please see Equipment Needs for First Year Percussion Students at the University of Maine
METRONOME - electronic is best - I recommend one such as Dr. Beat, Korg, Yamaha or the like. It should be capable of sub-dividing the beat.
ELETRONIC TUNER - Eletronic tuners are now very inexpensive and they are invaluable for timpani study.
STICKS AND MALLETS - All percussion majors are expected to supply the appropriate array of sticks and mallets for each semester's studies. The same requirement holds true for MUO150 (Percussion Ensemble); therefore each student should acquire a basic selection of sticks and mallets for all of the percussion instruments and plan to add more specialized mallets as the need arises. See above "Required equipment."
METHODS AND MUSIC - All method books and/or music assigned must be acquired immediately. Most of the methods used in lessons are in the stacks Fogler Library and may be checked out like books. I recommend, however, that each student establish his/her own library, as it will be useful for future reference and for your own teaching.
PERCUSSIVE ARTS SOCIETY - It is important for percussion majors to be informed of the latest developments in our field. Membership in the PAS and the study of its trade journal, Percussive Notes, is therefore required. An ePAS membership is avialable for $28 a year.
JOURNAL - Percussion majors will find it beneficial to keep a journal. The contents should consist of:
Goals: Until the Junior Standing exam, we will work on
developing fundamental technique on all four major areas of percussion
studies at the University of Maine: keyboard mallet instruments, snare
drum, timpani and drum set. Topics typically covered are musicality,
sight-reading, technique and the study of idiomatic literature. After
Junior standing, we will focus on recital preparation and advanced
Assignments: Each week's assignment will be written in a 7" X 8" spiral bound manuscript notebook. It is expected that the entire assignment will be prepared for the following lesson.
Practice: A large locked percussion practice room with timpani and a marimba is located on the third floor are available for your individual practice. The percussion studio (104) may also be used during scheduled hours. Timpani and acoustic drum set practice will receive priority for the percussion studio. The marimba in the practice room should be used by preference. You must obtain a key from Dr. Marrs for the locked rooms. The instrumental rehearsal room is also available for timpani or acoustic drum set practice when not otherwise in use. Students usually find that 2 hrs. of daily practice are sufficient to prepare the lesson material. These times should be incorporated into your daily schedules like regularly scheduled classes.
Practice room schedules: If there are conflicts with desired practice times, room schedules will be posted on each percussion practice room door. You may sign up for a total of two hours per day. Open times are available on a first-come-first-serve basis. Snare drum and drum set students should use the locked electronic set room as much as possible. Marimba students should use the 3rd floor marimba.
Percussion Studio - Room 104 shall be kept neat, clean and tidy at all times. Mallet instruments and timpani must be covered when not in use. Personal items, must be kept in a locker - NOT IN 104. Personal items found in the room will be moved out to the hallway. There is to be no food nor drink except for water in room 104.
Studio Class - In addition to the weekly applied lesson, each applied percussion student is required to attend "Studio Class" (Tues. 2:10-3:00); which counts as part of the applied course. Typical activities of studio class include:
Evaluation: You will be given constant feed-back on
your progress. You are encouraged to frequently discuss your short-term
and long-term goals with your instructor. Your grade will be based
Jury: The jury is the "final exam" of the
course and is presented at the end of the semester before your
percussion instructor and two other faculty members. The exam is
approx. 20 min. in
length and reflects the semester's accomplishments. Although specific
etudes or pieces are usually prepared for the jury, the student
may be asked to demon-strate any material covered during the semester.
You may be asked to sight read on any of the instruments studied during
During the semester of the "Junior Standing" exam and
the semester of the solo recital, the final jury is waived.
At the end of the 8th credit hour of applied study, (usually the end of the fourth semester) there is a performance examination before the entire music faculty. Successful completion of this fourth semester jury is a prerequisite to further applied music studies at the MUS350 or MUS450 level. For BA students, successfully passing the Junior Standing Exam (aka Final Exam) marks the end of the applied instruction degree requirement. The percussion requirements for the Junior Standing are as follows:
The percussion student should be prepared to demonstrate performance technique and knowledge of each of the four major categories. The minimum requirements for each category are:
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Percussion Welcome page
Last updated 5.3.2004